TOT

Peeping Tom (Belgium) - Moeder

Moeder (Mother), the second part of a trilogy that began with Vader (Father, 2014) and will close with Kinderen (Children, 2018), is a work on memory that explores the ways in which the fabric of a life is a mosaic or meshwork collectively composed. It approaches the storehouse of memory – the events whose combination and progression define who we are – not as a museum of the self, but as a laboratory whose technicians can seem like archaeologists digging into the past.

Peeping Tom will explore its theme and central figure, the mother, with the same tender and sardonic eye that runs through all of its productions. At once funny and eerie; Moeder is disturbing, yet strangely familiar.

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